We knew it was sketchy when there wasn’t even a sign on the building, just big, black numbers reading “1121″, which matched the address printed on my Groupon receipt. My suspicions were confirmed when, after being let into the building by a waify, pale girl, the door to Suite 106 read “sprinkler system”. We called the phone number, and an angry sounding woman answered.
“Hi” I said. “We are supposed to meet Lolita at eleven for beginner pole dancing, but we can’t seem to find the right room. Suite 106 says sprinkler system.”
“She’ll be there soon,” the woman answered curtly.
“Wait, but are we in the right place? The door is locked, and it says sprinkler system,” I say, suppressing a laugh. Why do Josey and I always seem to end up in these situations?
“Lolita is on her way”, the woman replies, and hangs up.
We go outside to stand in the sun and take a few deep breaths. We are both incredibly hungover, and realize that spinning around a pole is probably not the best cure for headaches and nausea, but we are committed because Lolita is on her way.
Soon she pulls up, gets out of her car, and introduces herself as Helen, or Lolita, whichever we prefer. She has already been Lolita in my head since I scheduled this class, so calling her Helen just doesn’t seem right. And who wants to learn how to pole dance from a girl named Helen anyway?
We go into Suite 106 and it isn’t the sprinkler system at all. It’s a dimly lit room with two antique couches and a display of feathery, tassel-laden lingerie and high heels. Through some velvety curtains is the studio lined with mirrors and equipped with six shiny, intimidating stripper poles.
Josey and I sign a waiver saying that if we manage to flip ourselves upside down on the pole and lose our grip, crashing down to the floor and giving ourselves a concussion, Lolita will not be liable. Then we get up and stand next to one of the poles and wait for Lolita to tell us how to be sexy.
Before she says anything, she takes off her clothes. I guess it’s more natural that way, but I leave my pants on. Baby steps.
The first move is called the Sexy Fireman, and it is then that I realize my sweaty hand syndrome is going to be a huge hindrance in my pole dancing future. I grip the pole, cross my ankles, and spin, only to come sliding down in the most ungraceful, unsexy manner. I wipe my hands on my shirt and grip the pole again. I am shaking from last night’s alcohol surging through my body, but I steady myself and try the Fireman again. I don’t slide this time, but I must’ve had too much momentum because I go spinning around at what feels like 100 miles an hour—also not sexy.
I look over at Josey and she isn’t doing much better than I am. She’s got the grip, but one of her legs is splayed out to the side like a dog peeing on a fire hydrant.
The next move is called the Sexy Cartwheel, and involves gracefully circling your legs in front of you in a wheel shape, one after the other, in one fluid leap. I look over at Josey again, and she’s got the death grip on the pole as she holds her breath and jumps both legs to the left. I try, and bang my shin against the pole as I try to sweep my legs over the side.
“Slowly, gracefully,” says Lolita, who manages to make us feel extremely awkward, even though she’s the one in her underwear.
After the failed Sexy Cartwheel, we take a break from the pole and move to the floor for Sexy Kitten and Wag the Tail. I slide around a bit, whipping my hair when she tells me to, and “wagging my tail”, even though none of it feels sexy, and my hangover is only getting more miserable. We use the Sexy Get-Up to move into a standing position, which is a combination of a squat and the “bend and snap” move from Legally Blonde.
Back at the pole, we move to the Four Corners Dance, which doesn’t require gripping the pole—a nice break for my sweaty palms. This is the first time I feel like I’m doing something right and manage to forget about my throbbing head as I frolick around the pole to Enrique Iglesias singing “Tonight I’m F***ing You” (the unedited version).
The last move we learn is called the Dragonfly, and basically involves leaning backwards against the pole with your feet about four feet in front of you and hip distance apart. You then thrust your pelvis up and down while making “come hither” motions with your knees (her words, not mine). The way Lolita introduces this move is by saying, “you guys remember the old classic, the Dragonfly, right?”, as if this was something we may have experienced growing up. And although it did look like a move one might make while giving birth, I’m pretty sure the Dragonfly was not something my Mom ever did around the house when I was little.
With ten minutes left of class, and our hangovers at peak intensity, Lolita asks us to choose our favorite moves and combine them into a sexy routine. I decide to give it my all, and I wipe off my palms and muster up some strength. I combine the Fireman with the Cartwheel, slide to floor and Sexy Kitten my way into the Sexy Get-Up. Lolita looks proud of me, which is a sentence I never though I would ever write.
We exit the studio and return to real life. It feels like years have passed, and I can already feel calluses growing on my hands.
All I know is that I have a new-found admiration for woman who make dancing on a pole look effortless, and from now on I’ll probably think twice before buying any old Groupon that comes along.















































